Tag: horn practice

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  • Most Effective Learning Style Feels the Worst

    Most Effective Learning Style Feels the Worst

    Active vs. Passive learning: sometimes the best medicine is the most bitter.

  • Eldon Matlick and A New (To Me) Tuning System

    In a recent blog article over at James Boldin’s Horn World blog, James discusses a recent visit to the University of Louisiana-Monroe by Dr. Eldon Matlick, who is the Horn Professor at the University of Oklahoma. His blog article briefly covers some of the topics that Dr. Matlick discussed with the ULM Horn Studio, and…

  • Practice Recipe: 3 Parts Focus with 1 Part Distraction

    Practice Recipe: 3 Parts Focus with 1 Part Distraction

    Practicing a musical instrument can be a frustrating experience. Lots of hours focused on just getting one or two small sections perfect, only to be faced with more the next day or week. However, practice isn’t just about focusing on small details and getting individual notes correct. At least part of your practice time needs…

  • When NOT to Practice

    When NOT to Practice

    How to plan your practice is a topic that I’ve covered before, but there’s a lot more to getting in “enough” playing than just sitting down for a practice session. The typical recommendation from the ever-popular Farkas book is that you need to get in 3 hours of practice per day, but there’s definitely more…

  • Pre-Performance Rituals

    Pre-Performance Rituals

    If you’ve watched just about any sport, you’re certainly familiar with athlete’s and their love of rituals. But, it turns out that even arbitrary or even silly rituals can have a meaningful impact on your performance and reduce anxiety. The important thing is not necessarily what you do, but what you call it. A Ritual…

  • Bubbles and Clicks and Bumps (and Mouthpieces), Oh My!

    Bubbles and Clicks and Bumps (and Mouthpieces), Oh My!

    Although I don’t use these terms at all in my teaching, bubbles, clicks, and bumps are an important thing for teachers and students to be aware of. These terms are used by horn player (and composer/conductor) Gunther Schuller to describe various imperfections in articulations, slurs and the slotting of notes. Over on the Horn Matters…

  • Trigger Phrases to Improve Performance

    Trigger Phrases to Improve Performance

    Using one or two words to improve your concentration or establish the character of a piece is not a new teaching technique. I know I’ve personally heard about using these kinds of “trigger words” for a couple of decades. These are especially useful to establish the mood or style of an orchestral excerpt. In most…

  • Prepare for Fall Band Camp (and Auditions!)

    Prepare for Fall Band Camp (and Auditions!)

    It’s almost September, which means high school and band camps are well underway (or done). One of the hardest shifts that most brass players make is the switch between “summer chops” and “band camp chops”. Most brass players play very little from June-August. Even those that do practice usually don’t practice a lot. Definitely not…

  • Calm vs. Nerves vs. Terror: Which is Best?

    Calm vs. Nerves vs. Terror: Which is Best?

    Although no one likes being nervous, it may actually be the best way to perform.

  • Book Review: Horn Technique by Jeffery Agrell

    Book Review: Horn Technique by Jeffery Agrell

    A look inside Jeffery Agrell’s book about the ins and outs of horn playing.